The exhibition offers a portrait of Surrealism through two of its greatest exponents, with more than 100 photographs, art works and new relevant documentation.

In 1929, Elizabeth ôLeeö Miller, a young American model often seen in Vogue magazine, arrived in Paris with the intention of becoming a photographer. Uninvited and with no prior introduction, she presented herself at the studio of Man Ray, a noted Surrealist artist and photographer specializing in portraits of contemporary society, ins