Crafted with Pride is a collection of critical essays, oral histories, and creative responses that explore queer craft and the material cultures of LGBTQ+ activism in Britain since the 1980s. There is a long history of using craft and DIY processes to explore identities and encourage social change and political change, yet these stories remain undocumented and insufficiently researched.

Daniel Fountain sheds light on them, bringing together contributions from academics, artists, activists, curators, and heritage professionals. Contributors discuss a range of case studies, including the Greenham Common Women’s Peace Camp, the Museum of Transology, Lesbians and Gay Men Support the Miners, the UK AIDS Memorial Quilt, Islington’s Pride, Queer Zine Library, Glasgow Women’s Library, Queer Journeys, and more. Accompanied by reflections from contemporary creative practitioners, including Matt Smith, Tanoa Sasraku, Sarah-Joy Ford, Rachael House, and Raisa Kabir.

By weaving together these critical essays and oral histories, this collection establishes a crucial connection between craft, queerness, and activism in Britain, making it a must-read for students, academics, cultural producers, and creatives alike.

Explores queer craft and the material cultures of LGBTQ+ activism in Britain since the 1980s. From handmade clothing and protest banners to radical self-published zines and manifestos, there is a long history of using craft and DIY processes to explore identities, bring communities together, and encourage social and political change. Yet, many of these histories remain undocumented and are insufficiently researched.

This collection sheds light on these important histories and includes a range of contributions from academics, artists, activists, curators, and heritage professionals. Case studies discussed include Greenham Common Women’s Peace Camp, the Museum of Transology, Lesbians and Gay Men Support the Miners (LGSM), the UK AIDS Memorial Quilt, Islington’s Pride, Queer Zine Library, Glasgow Women’s Library, Queer Journeys, and more. These critical essays and oral histories are complemented by short reflections from contemporary creative practitioners including Matt Smith, Tanoa Sasraku, Sarah-Joy Ford, Rachael House and Raisa Kabir.

Taken together, this collection weaves together an important web between craft, queerness, and activism in Britain. As the first book of its kind, it will likely be of interest to a range of students and academics, as well as cultural producers and creatives more broadly.