Presents the development and aesthetic theories of the symbolist movement in art and literature. This book traces symbolism and its roots from artist to artist and critic to critic from the 1860s to the early twentieth century.

"In the misty domain of Symbolism, Dorra's anthology of source material offers the student the most lucid of guidebooks. Spanning more than half a century, from 1850 to 1918, its broad vista puts into fresh perspective the ambitions of the most diverse artists, architects, poets, and theorists, from Rossetti to Fry, Verlaine to Munch, Eiffel to Apollinaire."—Robert Rosenblum, New York University

"This long-awaited anthology expands the parameters of Symbolist discourse. The carefully selected and annotated texts provide clear insight into a Symbolist vocabulary that had considerable impact on future generations. Symbolist Art Theories has deep resonance for an age transfixed by textual interpretation."—Gabriel P. Weisberg, author of Beyond Impressionism

"Dorra's impeccable scholarship is matched by the insight that relates the fragments. The book is of great value not only for students of symbolism, but for all those interested in the early history of modern art and art theory."—George Mauner, Pennsylvania State University

Henri Dorra, in his comprehensive new book, presents the development and the aesthetic theories of the symbolist movement in art and literature. Included are writings (many never before translated or reprinted) by artists, designers, architects, and critics, along with Dorra's learned commentary. Fifty photographs of symbolist works complement his encyclopedic coverage. Dorra traces symbolism and its roots from artist to artist and critic to critic from the 1860s to the early twentieth century. The decorative arts and architecture are examined as well as painting and sculpture. The Arts and Crafts movement, art nouveau, the work of Eiffel in France and Sullivan in the United States are all well represented. The close relations between symbolist poets and artists are reflected in the chapter on literary developments. Baudelaire, Rimbaud, Verlaine, and Mallarme are here, but so, too, are writers less well-known. A section on the Post-Impressionists and the 'Artists of the Soul' rounds out Dorra's rich and varied text, and his epilogue lays the groundwork for what was to follow symbolism. Dorra beautifully integrates the different aesthetic branches of symbolism, the different media and national variations, without ever losing sight of the whole. The historical context provided makes this a particularly appealing collection for students and scholars of art history and literature, as well as for anyone interested in the evolution of symbolism.