A powerful, influential novel, praised by writers including Toni Morrison, James Baldwin and Maya Angelou. Long out of print, this lost classic is republished for a new generation.

'Corregidora is the most brutally honest and painful revelation of what has occurred, and is occurring, in the souls of black men and women . . . it dares to confront the absolute terror which lives at the heart of love' James Baldwin

Blues singer Ursa is consumed by her hatred of Corregidora, a nineteenth-century slave master who fathered both her mother and grandmother. Charged with 'making generations' to bear witness to the abuse embodied in her family name, Ursa Corregidora finds herself unable to keep this legacy alive when she is made sterile in a violent fight with her husband. Haunted by the ghosts of a Brazilian plantation, pained by a present of lovelessness and despair, Ursa slowly and firmly strikes her own terms with womanhood.

'A literary giant, and one of my absolute favourite writers' Tayari Jones

'An American writer with a powerful sense of vital inheritance' John Updike

AS HEARD ON THE BACKLISTED PODCAST

'No novel about any Black woman could ever be the same after this' TONI MORRISON

'Corregidora (1975), was both shocking and ground-breaking in its probing of the psychological legacy of slavery and sexual ownership' MAYA JAGGI, GUARDIAN

'Corregidora is the most brutally honest and painful revelation of what has occurred, and is occurring, in the souls of Black men and women' JAMES BALDWIN

'A literary giant, and one of my absolute favourite writers' TAYARI JONES, author of AN AMERICAN MARRIAGE

'An American writer with a powerful sense of vital inheritance, of history in the blood' JOHN UPDIKE, NEW YORKER

Upon publication in 1975, Corregidora was hailed as a masterpiece, winning acclaim from writers including James Baldwin, Maya Angelou, Toni Morrison and John Updike. Exploring themes such as race, sexuality and the long repercussions of slavery, this powerful novel paved the way for Beloved and The Colour Purple.

Blues singer Ursa is consumed by her hatred of Corregidora, the nineteenth-century slave master who fathered both her mother and grandmother. Charged with 'making generations' to bear witness to the abuse embodied in the family name, Ursa Corregidora finds herself unable to keep alive this legacy when she is made sterile in a violent fight with her husband. Haunted by the ghosts of a Brazilian plantation, pained by a present of lovelessness and despair, Ursa slowly and firmly strikes her own terms with womanhood.

Also new to the VMC list: Eva's Man and The Healing by Gayl Jones.